I work in abstraction as a way of investigating form, structure, and presence. My drawings and paintings emerge through automatic and gestural processes, allowing geometry to arise organically rather than being imposed in advance. Lines accumulate, collapse, and reconfigure, forming spatial architectures that feel bodily, unstable, and alive.
My practice is rooted in sustained attention and physical engagement. I am interested in the moment when intuitive movement begins to organize itself when shape, tension, and balance surface without instruction. Rather than treating geometry as a fixed language, I approach it as an emergent condition: something discovered through process and held in space.
While my background includes illustration and divinatory art, my current work moves deliberately away from narrative, symbolism, and explanation. Meaning is not assigned; it is encountered. The work asks to be experienced rather than decoded, operating as a quiet but charged presence within its environment.
Ultimately, my work explores how abstraction can function as a site of encounter—where form, perception, and interior states briefly align.
